Queer Oz Folk Publishing

About Queer Oz Folk

Syliva Martin Passionate Friends

Queer Oz Folk Publishing

Who we are, what we do

 

About Queer Oz Folk

Over many years, beginning in the 1980s, mainstream Australian publishers have been bringing Australian queer history to print. Unlike many overseas publishers, the Australians generally price their books at rates that are affordable to their audiences. But the vagaries of what was essentially a niche market means that there are dry periods when not much appeared, and titles often went out of print fairly quickly. As gay topics became more acceptable in universities and colleges, academic journals started to express interest, but increasingly those journals came to be locked behind paywalls, out of reach to anyone but academics.

Even earlier than this, beginning in the mid-1970s activists were publishing histories of their groups and activities to guide others who were taking up the challenge of changing society. The annual queer history conferences organised by the Australian Queer Archives published collections of papers in the 2000s. The gay and lesbian press was also bringing some of this material in one off articles, series and regular columns.

Over those decades, though, technological change brought the possibility of easier, affordable publishing to ever-wider circles of people. With the advent of good-quality print-on-demand, one of the last barriers to do-it-yourself publishing crumbled.

The remaining obstacles are the difficulty of distribution and the quality of the pre-print work. Ironically, as design and layout became easier, standards often dropped. The reality is that design is a skill that needs to be learned and this wasn’t always recognised by authors keen to see their books in print.

At Queer Oz Folk, we pay for copyediting, design of covers and internals, for indexing where needed. This helps maintain the quality of the books we produce.

Queer Oz Folk publishes as a series under the umbrella of Interventions, a Melbourne-based publisher of radical and working-class history, allowing us to pool our knowledge and share the administrative burdens of publishing.